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The Pillows found a wider international audience when their songs were featured in the Gainax-produced anime FLCL, broadcast in the United States in The series followed the travails of a year-old boy, Naota, who meets a guitar-wielding, Vespa-riding woman. The Pillows penned a new track, 'Ride a Shooting Star,' for the closing theme. In the Pillows performed in the United States for the first time at the South by Southwest music festival. Altogether they played six shows across the states, including New York and San Francisco at a Chicago anime convention that saw the group play to 4, people over two days.

In they contracted with major label and released their debut single, 'Ame ni Utaeba' in May and their first full-length record in June. In The Pillows visited England to record their second full-length album,, and filmed the promotional video for their second single, 'Kanojo wa Shisuta'. Shortly after the release of White Incarnation, Ueda left The Pillows due to disagreements with other members and musical differences.

After a year with no activity or leadership, Sawao Yamanaka took over Ueda's leadership role and recruited Tatsuya Kashima as a replacement on bass, restarting the band.

Out of respect for Ueda, Kashima was labeled as a guest musician on releases on which he performed and Ueda's bassist post has never been officially replaced. The extremely rare, released only to The Pillows fanclub, contained their first recordings with Kashima. In The Pillows changed to and the band wildly experimented between varying genres.

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