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Sign up here to get the latest news, updates and special offers delivered directly to your inbox. Telegram Pinterest. Andrew Carper. The soundtrack is studied by students in the UK taking their A-Levels. The titles for tracks 1—6, 10 and 11, 13 and 14, and 16—19 are not official titles, as they are suggested by the film music site Filmtracks. Online databases of the album usually list the tracks as parts 'I and II' or with 'Cont. This titling prompted confusion from consumers, and was heavily criticized by Filmtracks.

Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs. General File size : 0. General File size : 2. General File size : 1. The previous release was p, incorrectly marked as p. Atmos General File size : 3.

Track list: 1. Beautiful Lie 2. Bringing to mind some of his work on Mad Max: Fury Road , the track introduces us more so teases the new Batman theme from Batman v Superman. The rest of the track delves into a beautiful mashup of both Zimmer and XL's talent; they give us an overall track with heavy Inception and Run All Night qualities.

The usage of the choir is haunting and at , XL's usage of horns remind us that our new theatrical Batman's story isn't just beginning. It's been ongoing; he's older and more the war weary battle vet than of any presentation we've seen before.

Building up to our first introduction to Bruce Wayne, every instrument flutters together to give us a sound of bats flurrying. We then get another hint of the Batman theme that immediately stops and fades with three notes on the piano. At to conclusion, the track turns somber and gives us one of the main recurring themes that we'll hear later on in the soundtrack.

The usage of violins and piano give us a bit of a psychotic and unbalanced sound; one part mad scientist and one part sociopath. Track 3 concludes with a beautiful finish and, at this point, stands out as the album's best. This is actually the only time Superman and Man of Steel fans will hear the Superman theme in full, albeit a variation of it. Presenting us with more inventive sounds than actual musical implementation, XL is a master at creating sounds.

Zimmer and XL develop a 5 minute plus track that presents our first proper duel between two great composers. Recognizable immediately for its lullaby like quality, Zimmer's spin here, like Track 4 Day Of The Dead, is a little more haunting and foreboding.

Each note plays in a direct, almost militaristic fashion. But as the 10th track starts, 'Tuesday' concludes with an ending just as strange as its start. Also given the inclusion of Wonder Woman on screen for the first time, we get an extraordinary sound for the iconic DC Comics super hero.



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